You might not have heard of Thrill Jockey Records, but you'll certainly have heard of some of the artists on the label - Tortoise, TransAm, Freakwater... in the UK they're mostly distributed through City Slang, but they were all discovered, signed up and released first in the US by Bettina. Stuart McHugh quizzed her mercilessly, as ever...
So, what do we call this new sound that is Tortoise? I'm not entirely sure I would call the music of Tortoise a new sound - more perhaps a refreshing approach to rock music, one that incoroprates elements as diverse as African mbira and kalimba music, modern composers, electronica, The Minute Men, Steve Reich and has an affinity for dub and its approach to composition and recomposition. |
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The Sea and Cake also - without wishing to pigeonhole the label, would you say they fit in with this sound? The Sea &Cake don't "fit in" per ce, but I would say that they share an approach to music: being that they too take elements from a wide array of influences such as Brazilian artists like Jao Gilberto, Joyce and George Ben, soul artists like Al Green and Marvin, and again modern classical composers.
Do Freakwater (countryish faves of Andy Kershaw) redress the balance a little? Freakwater's traditional country approach certainly has nothing to do with the rock'n'roll of Gaunt. Rome's abstract instrumental music is more aligned with dub, Oval and Microstoria could easily be played at a techno party.
Gaunt and TransAm are maybe closer to 'rock' - do you like to vary the styles you work with ? I don't choose to work with any group as part of a larger scene; it is purely music that I enjoy and hope that others would find at the very least interesting.
Are you in danger of getting a reputation as a prog/math/avant garde label? I'd say I'm in danger of a lot of things but as far as having my label labelled I would prefer if people approach the bands as individual musical entities. |
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