Indie labels, wherever they're from, are usually a small operation. Southern is several small operations. Southern Studios manufactures/distributes many US indie labels, though in the past they've handled the likes of Crass, and sell these onto the punters through amongst others, Southern Records Distribution (SRD), who are also very involved in the UK dance scene. Oh and Southern Records, who actually started out 10 years ago to accomodate Babes in Toyland, has seen such luminaries as Jah Wobble, Chumbawamba, Therapy? Carter USM and Silverfish pass through their books. At the moment they have mainly US bands signed to the label, via their newest arm, their Chicago office. Running that part of the empire is Danielle Soto.
Your previous lineup contains maybe some of the most famous/successful bands about - Therapy, Carter, Babes in Toyand, and more major underground types like the Grifters. Do you think these bands could have been as successful if they'd stayed on Southern or do they need the major push to achieve sales success (as opposed to critical success!) Or were they truly one-offs (in the US indie style)?
One obvious difference between the UK and the US is mere geography. Britain is much smaller with one "major" hub city, London. Therefore, the majors and the indies can all physically see and hear the bands at the same time. Whereas here, we have several hubs thousands of miles apart from each other. This seems to give indies a different footing than indies in the UK. |
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